.

How I Title My Images

Illumination I, 2000 

 

Titles have always been challenging for me. While I always use a working title for a developing series, often, I don’t know what to title the works until I truly understand them – and that can be long after they’ve been created. Sometimes I change the titles of a few of my images after I’ve released them.

Most of my images, being a combination of at least two images from different times and places, don’t fit the typical place date format. To date, I’ve only used this type of title for one series, Antarctica, because I want that work to be seen as more editorial in nature.

Because I want to leave plenty of room for the viewer, I avoid titles that impose a single interpretation on a work of art – Exhibit A : Evidence Of My Failed Relationships. I also don’t want a title to make up for what’s not already strongly felt in an image –Unimaginable Grace.

Initially, I grouped work according to the dominant natural element in it, using a set of six series, interlocking because many images can fit into more than one series, under one larger title – Elemental: Dreaming In Stone; Waterway; Fire Within; Aerial Boundaries; Songs From Wood; and Animalia.

Later, I came to understand there was a further reason I didn’t use standard place/date titles. I want my images to be seen not as records of things (a materialistic viewpoint) but as traces of processes (a wholistic viewpoint).

I’d like to use an active verb for my titles, but the image isn’t the active process itself, it’s some thing made from observing processes. So instead of the word Illuminating, I use the word Illumination.

I use a number to indicate the order of creation in a series.

The date attributed is the date of release, not the date of exposure.

Read How To Title Your Images here.
Read more about how writing can boost your creativity.
Learn more in my digital photography and digital printing workshops.

The New Book – Workshop Stories

Find out about the new book Workshop Stories.

Elizabeth Opalenik celebrates the photography workshops community in this beautiful new book.

“Each teacher was asked to tell a workshop story that influenced or inspired them personally—involving colleagues, peers, or students—whether funny, poignant, profound, or sad. These authentic stories are universal, and in them we find ourselves. More broadly, the goal of this book is not only to preserve memorable workshop experiences but also to share the varied and unique images of the photographers who contributed their talents and expertise to these institutions.”

View image spreads on Instagram.

Read my conversation with Elizabeth Opalenik here.

 

3 Tips To Gain Greater Control Of Adobe’s New Neural Filter Colorize

.
“Colin Smith gives you 3 tips to make Adobe’s new Neural filter Colorize do exactly what you want it to.”
.

2 Ways To Match Colors Exactly In Photoshop Using HSB & Curves

 

.
Learn how to match the colors of one object to another by matching HSB values using Hue/Saturation or RGB values using Curves. There’s more than one way to make magic happen.
.

Remove Strong Color Casts By Quickly Colorizing Photographs With Photoshop?

.

“How to instantly remove an impossible color cast / multiple colored lights in photoshop. Use the Colorize filter in an unexpected way. This new feature in Photoshop 2021 makes it easy to fix colors in photos. Colin Smith walks you through these exciting new features in the latest Adobe Photoshop update. ”

Find out more from Colin Smith at Photoshop Cafe.
Learn more in my digital photography and digital printing workshops.

Brand New Photoshop Features That Shouldn’t Even Be Possible

 

“Photoshop June 2021 update has amazing new features. Colorize black and white photos instantly, and automatically. Change focus on a photo instantly, fixed the save a copy and all new features. Colin Smith walks you through these exciting new features in the latest Adobe”

Find out more from Colin Smith at Photoshop Cafe.
Learn more in my digital photography and digital printing workshops.

6 Ways To Get Better Shadow & Highlight Detail In Your Photographs

You want your photographs to glow - right? So what’s better than one kind of glow? How about three?

You can get there by not succumbing to the classic temptations to clip shadows and/or highlights to produce a more obviously dramatic but a less lively, nuanced, and expressive tonal scale. Instead, hold the full dynamic range with a real black and white and also create gorgeous separation in the values nearest to them.

So many times we give the lion’s share of the contrast to the midtones. Midtone contrast is really important. But that doesn’t mean we have to sacrifice the light in highlights by making them too hot to look at comfortably or in shadows making them so dark they turn to murky mud. You can hold separation in these extreme ends of the tonal scale and produce beautiful qualities of light that complement not just contrast. Here’s how.


Insights Members can login to read the full article.
Email:
or Sign up

One Filter To Quickly Remove Most Halos In Photoshop

.
“Learn how to easily fix and remove halos easily and fast using a hidden Photoshop slider.”
.

Sarah Kay On The Power Of Spoken Words

.
“If I should have a daughter, instead of Mom, she’s gonna call me Point B … ” began spoken word poet Sarah Kay, in a talk that inspired two standing ovations at TED2011. She tells the story of her metamorphosis — from a wide-eyed teenager soaking in verse at New York’s Bowery Poetry Club to a teacher connecting kids with the power of self-expression through Project V.O.I.C.E. — and gives two breathtaking performances of “B” and “Hiroshima.” Sarah is also the host of TED’s podcast “Sincerely, X.”

Photoshop’s New Filter Depth Blur Helps You Control Depth Of Field

.
“Just one slider to Add Background Blur & Shallow Depth of Field! Besides, you can also control where to focus! All of this, in a brand new feature called “Depth Blur” which is a part of Neural Filters in Photoshop. In this video, we will be testing this new feature against a variety of images; from simple single-subject ones to images with random objects or a group photo. In this lesson, we will also learn and discover in what scenario this feature can be useful and how you can make the best out of it, along with some best practices and advanced techniques. We’ll also learn how to use depth maps for better results.”
.