PhotoPlus East – Expo


PhotoPlus East starts next week.
It’s the premiere photographic tradeshow in the US.
The presentations at manufacturer booths are free.
The seminars are fee based.
Both are are excellent.
I’ll be presenting a number of sessions.
Thursday, Oct 23
9-12             Fine Art Workflow (with Mac Holbert)(TA10)
3:30-4:15     Lightroom 2 – Fine Art Output (Adobe Booth)
Friday, 10/24
9-12              Extending Dynamic Range (FA7)
2-3                Epson Poster Signing (Epson Booth)
Saturday, 10/25
9-12              The Fine Digital Print (SA9)
12:30-1:15     Lightroom 2 – Fine Art Output (Adobe Booth)

The Epson R1900 Prints My Workshop DVDs


The Epson R1900 really excels at high gloss printing, but it also does a great job printing CD and DVD labels. We print my workshop DVDs on an Epson R1900. Good color. Good resolution. Permanent. And it’s easy! Just load in the disc and print.
(Don’t confuse these DVDs with my Acme Educational DVDs. These DVDs are for my workshop alumni only and contain hundreds of digital files, exercises, actions, and discounts.)

Find out about the Epson R1900 here.

Read more about my workshop DVD/Downloads here.
Check out my workshops here.
Get my Acme Educational DVDs here.

Epson Print Academy – New Dates


The Epson Print Academy is gearing up for another tour. There are two tracks.
Track I programming includes …
Jack Reznicki seminars and hosts.
Video presentations by top industry experts.
Track II programming includes …
Andrew Rodney    Color Management
Jeff Schewe        Raw Conversion
Greg Gorman     Black and White
Mac Holbert     Fine Art Workflow
J P Caponigro    21st Century Dodging & Burning and The Art of Proofing
Video presentations with Michael Reichmann, Henry Wilhelm, and Epson Professional Product Managers.
Which track should you attend? Find out here.
Nov 8, 2008       Atlanta
Nov 16, 2008     Washington DC
Dec 6 , 2008      New York
Dec 13, 2008     Dallas
Jan 31, 2009      Seattle
Feb 7, 2009       San Francisco
Feb 21, 2009     Los Angeles
Feb 28, 2009     Boston
Mar 14, 2009     Chicago
Mar 21, 2009     Toronto
April 4, 2009      Minneapolis
April 25, 2009    Denver
May 3, 2009       New York
May 9, 2009       Los Angeles/Orange County
May 16, 2009     San Francisco
May 23, 2009     Vancouver
Get more details on dates and locations here.
Track 1 costs $79.95. Track 2 costs $149.95. This is one of the best deals around. Sign up now!
Check out Schewe and Reichmann’s video tutorial here.
Check out Holbert’s DVD The Dirty Dozen here.
Check out my DVDs here.
Check out my Fine Digital Print workshop series here.
If you attended the Epson Print Academy tell us what you liked and what you’re looking forward to. Comment here!

Photoshop World Highlight – Epson Print Academy


Everyone had a good time at the Epson Print Academy today. We always do.
This special half day version of the Epson Print Academy Track Two for Photoshop World runs lean and fast with fantastic content by Photoshop Hall of Fame Inductees – Andrew Rodney, Jeff Schewe, and John Paul Caponigro.
Rodney         Color Management
Schewe         Image Optimization
Rodney         Printing to an Epson Printer
Schewe         Advanced Black and White
Caponigro    Fine Art Printing – Performance Printing & The Art of Proofing
The handouts (for attendees only) are phenomenal. They’re electronic! So they’re green (no wasted paper), accessible anywhere, portable, with no limit to length, able to accomodate many file types (text, images, actions), and frequently updated. After you attend, you can always get the latest versions.
But wait, there’s more! Bonus prizes are often given to a few lucky attendees, like prints by Schewe, posters and DVDs by Caponigro … sometimes printers are even given away.
If you were there, tell us about it. Comment!
The Epson Print Academy is gearing up for a national tour again.
Stay tuned for important announcements at the end of the month.
Check out upcoming Epson Print Academy dates here.
Check out Schewe’s Photoshop News here.
Check out Rodney’s DigitalDog.net here.
Check out all of our books here.
Check out my free printing downloads here.
Check out my DVDs here.
Check out my workshops here.
Check out cobloggers coverage of PSW at the links below.
Corey Barker
John Paul Caponigro
Dave Cross
Laurie Excell
Martin Evening
Scott Kelby
Matt Koslowski
Deke McClelland
Joe McNally
John Nack
Moose Peterson
Jeff Schewe
Colin Smith
Ben Willmore
David Ziser

New Uses for Printers – Posters


For years I’ve used Epson printers to print custom promotional materials in limited quantities.
Recently, we just finished printing posters for my Annual Open Studio Exhibit. I post them regionally to promote the exhibit and I sell a limited number of signed posters during the event.
Owning your own inkjet printer is like having your own offset press – only better. While each item takes longer to produce and costs more, the quality is better; resolution, color, and durability are exceptional. While this approach isn’t optimal for high volume production (thousands of copies), desktop printers are great for short runs. Because you don’t have to produce a large number of units to make a project cost effective (you don’t have to invest in the materials to produce a project or the time and space to warehouse a large inventory), inkjet printers make it possible to make certain things that might never have been made before.
Like what? Come and see! And stay tuned for more posts.
What do you use desktop printers to produce? Comment here.
Find out more about my Annual Open Studio Exhibit here.
Find Epson printers here.
Check out the Epson Professional Imaging website here.
Check out my Printing downloads here.
Find out about my digital printing workshop series The Fine Digital Print here.

Jay Strojnowksi – Testing Substrates


Jay took a risk. He brought in large scale photographs printed on canvas for review. They were different. This triggered a long dialog on mixed media and installations. Now he’s no longer thinking in conventional terms about making prints. In 30 minutes we listed dozens of ideas for expanding the possibilities of printmaking and presentation; multiple media – silk, mylar, metal, transfers; multiple picture languages – photographs, blueprints, text, code; and multiple installations – hung on walls, becoming the walls, drapes, projections. This is one of the things that’s so stimulating about teaching. It’s inspiring to see diverse perspectives. And it’s a privilege to be able to help others realize their visions. I highly recommend you take time to explore your options. Think of the possibilities! You might surprise yourself … and us!
How many ways can you think of enhancing your images with media? Make a list. Then rank the list and try the most promising options.
These are the kinds of dialogs Mac Holbert and I have every day with participants in our the Fine Art of Digital Printing workshop during our extensive One on One and Review sessions. This week we’re at the Hallmark Institute of Photography.
Check out Jay’s website here.
Find out about the Hallmark Institute of Photography here.
Find out more about The Fine Art of Digital Printing workshop here.
Find out about my The Fine Digital Printing workshop series here.

Cemal Ekin – Crafting a Signature Style


Cemal was fairly confident that he wanted an alternative process look so he printed a key image for a series of black and white images on Epson matte papers – UltraSmooth, Velvet, and Watercolor paper.  He like the rich black of the Velvet surface. Then Cemal made two unexpected moves that gave what at first seemed like an antique treatment a very contemporary edge. He “crunched” his shadows running the contrast high, heavily darkened regional areas, and he used heavy sharpening (both Unsharp Mask and High Pass), making them look like photographs drifting towards etchings. He confirmed that this was indeed the most compelling treatment for his images by printing renditions with more shadow detail and less sharpening. Some experiments succeed, some fail. You need to risk failure. In fact, failures aren’t failures if you learn from them – they bring confirmation and direction. This kind of experimentation is necessary to create more distinctive and expressive prints. The key is to do focused experiments that are most likely to give useful or relevant information.
What kinds of focused experiments would help you most? List a few now!
Cemal brought with him a beautiful portfolio of small prints (printed on Moab Entrada and collected in a companion folio). Comparing them to prints of larger scale revealed yet one more facet of his work.
These are the kinds of dialogs Mac Holbert and I have every day with participants in our the Fine Art of Digital Printing workshop during our extensive One on One and Review sessions. This week we’re at the Hallmark Institute of Photography.
Find out about Cemal Ekins here.
Find out about the Hallmark Institute of Photography here.
Find out more about The Fine Art of Digital Printing workshop here.
Find out about my The Fine Digital Printing workshop series here.

2880 vs 2400 – Gamut Comparisons



Today, Mac Holbert and I started teaching The Fine Art of Digital Printing at the Hallmark Institute of Photography in Turners Falls, MA. Epson shipped in new 2880 printers for this special event. Epson’s new 2880 uses UltraChrome K3 with Vivid Magenta. How much does Vivid Magenta expand the gamut? Check out these diagrams – 2D, 3D, and 3D looking at Dmax. The 2400 is in white and the 2880 is in full color. Both are graphing Epson Premium Luster Paper. The graphs indicate warm blues, magentas and greens are where it pays off. Slight increase in Dmax. It’s not a dramatic increase but in specific images (polarized skies and saturated foliage, it can be significant. There are also slight tradeoffs in other areas of the spectrum (wherever the white volume extends beyond the color volume).
Words and pictures can work together to tell a fuller story. These diagrams were made with Chromix’s ColorThink. I use it to graph ICC profiles and compare substrates and to compare inksets. Doing this more clearly illustrates the pros and cons of each.
It’s something I do in all of my color management sessions (like the whirlwind tour of color management participants in the FADP workshop got this morning and the sessions you’ll find on my DVD 6 Simple Steps to Color Management).
Check out my Review of Chromix’s ColorThink used to make these graphs.
Check out Chromix here.
Check out my earlier post on the 2880 here.
Check out the 2880 here.
Check out our workshop the Fine Art of Digital Printing here.
Check out my Fine Digital Print workshop series here.
Check out Hallmark’s post on today’s session.

Epson R2880 Printer – Equipment


Epson announced it’s newest 13″ photo quality printer, the R2880 (list $799), May 27. It began shipping June 2. Epson’s Patrick Chen calls it, “The world’s best 13″ printer.” And he’s right.
The 2880 is a step up from the 2400.
1 It’s fast.
2 It handles diverse media types, both cut sheet and roll, up to 1.3mm thick, and can print directly on CD/DVDs.
3 It uses Epson’s most advanced ink available today – Epson Ultrachrome K3 with Vivid Magenta. This is the same ink available in the 4880, 7880, 9880, and 11880. Three black inks deliver superior exhibition quality black and white printing. Vivid Magenta extends color gamut, particularly in reds, purples, and blues.
4 It has an improved print head (similar to the 4880/7880/9880) that creates extremely fine ink droplets and is specially coated to dramatically reduce nozzle clogs.
5 The new 16 bit compatible driver gives users more control with one screen setup and customizable menus. Not only can you save presets but you can also eliminate paper settings.
6 It incorporates radiance technology, a new mathematical architecture, developed at Munsell Color Science Laboratories at Rochester Institute of Technology, to improve ink selection and dot placement, maximizing color gamut, producing smoother gradation, and reducing metamerism.
7 Its mist collection system sweeps up stray ink droplets, reducing the number of nozzle checks and cleaning cycles necessary, and prolonging the life of the printer. This technology was actually inspired by printers on the space shuttle where stray droplets in zero g can become a significant problem.
It’s rocket science for your desktop.
Read more about the Epson R2880 here.