How To Enhance The Illusion Of Space With Atmospheric Perspective

As atmosphere builds up, contrast and detail are diminished, while colors grow cooler and less saturated.

Whites are an exception; they get darker and yellower.

Atmospheric perspective can be applied to neutral or black-and-white images using luminosity only.
In the foreground, increase contrast. In the background lighten blacks and darken whites.

Because compositionally, skies are quickly read as separate spaces, they can generally hold more saturation and still seem far away… but don’t overdo it if you want your photographs to be believable.

 

Used in Western art since the Renaissance, the principle of atmospheric perspective can be stated simply. Some colors rise forward, while others fall back. Lighter, warmer, saturated colors, with more contrast, appear closer, and darker, cooler, desaturated colors, with less contrast, appear farther away. You can use atmospheric perspective to control the illusion of three-dimensional depth in your two-dimensional images. When you do this, the scenes you present will become more believable, eye-catching, and compelling.

Adjust Color Selectively

The key to using atmospheric to enhance your images is to adjust color selectively.


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Everything You Need to Know About Masking in Adobe Lightroom Classic & Camera Raw

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“Discover how to take your photographs to the next level using masking to enhance and adjust selective areas of an image. In this video, Julieanne Kost shares tips, tricks, and techniques for making the most out of Lightroom Classic’s masking tools, including new automated selections based on Adobe Sensei (Select Subject, Object, Sky, People, and Background), manual painting tools (brush, eraser, linear and radial gradients), and Range Masking (color, luminance, and depth). She also walks through Auto Sync, Copy/Paste, and using Adaptive Presets – all guaranteed to make your workflow more efficient.”

Learn more from Julieanne Kost here.
Learn more in my digital photography and digital printing workshops.

The Art Of Selections & Masking

Download your free copy now!

Mastering selections and masking will help you take your images to the next level.

Local Adjustments In Lightroom and Camera Raw | Coming Soon

When To Use Lightroom’s Local Adjustment Tools | Coming Soon

Why Photoshop’s Local Adjustment Capabilities Are Superior To Lightroom’s | Coming Soon

Photoshop’s Marquee Tools 
Quick rectangular and elliptical selections.

Photoshop’s Lasso Selection Tools 
Go to drawing tools for irregular selections.

Photoshop’s Magic Wand & Quick Selection Tools 
Let Photoshop do the work for you.

Two Keys To Combine All Of Photoshop’s Tools 
Easily add or subtract from selections.

Viewing Masks 
You can see a mask in a number of ways.

Mask Key Commands
Key commands make masking and selections faster and easier.

Painting The Simplest & Most Useful Masks In Photoshop 

Photoshop’s Quick Mask Combines All Selection And Brush Tools

Eight Useful Tips For Brushing Masks In Photoshop 

How To Make Masking Easier With Photoshop 

Gradient Masks

Fine Tuning Gradients 
Fine tune your gradients with masking techniques.

Masking Hue 

Masking Saturation 

Masking Luminosity 

Contour Masks 

Edge Masks

Combining Masks | Coming Soon

Frame (11/10) | .99
Make your images stronger by locally adjusting the frame.

Points (11/10) | .99
Make your images stronger by locally adjusting points.

Lines (11/10) | .99
Make your images stronger by locally adjusting lines.

Planes (11/10) | .99
Make your images stronger by locally adjusting planes.

 

Video – Photoshop Masking Key Commands

Video – Photoshop Making 2 Masks For 1 Layer

Video – Photoshop Feathering Selections  & Masks

Video – Photoshop Combining Gradient Masks 

 

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5 Tools You Can Use To Make The Most Of Shadows & Highlights Without HDR

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There are many things you can do in Photoshop to make the most of shadow and highlight detail in images, even if you didn’t bracket exposures for HDR.

Curves
Curves, the most precise tool for modifying brightness and contrast, allows you to target and adjust shadows and highlights independently of one another. You can use it to reduce contrast and render more detail in very bright highlights and/or very dark shadows. The Curves interface has a feature (The icon looks like a finger with up and down arrows.) that allows you to click on any area of an image to place a point and adjust those values. If you’re adjusting highlights and shadows, it’s quite likely that you will also have to adjust values in the other end of the tonal scale and possibly midtones to generate the best results. Keep it simple; it’s surprising what you can do with just two or three points. Keep it smooth; avoid posterization by not flattening areas of a curve. The Blend Mode Luminosity can be used to remove any unintended shifts in saturation; more contrasti increases saturation while less contrast decreases saturation.



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Curves can be used to lighten shadows and/or darken highlights

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Before Curves

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After Curves


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