Set Your Mission, Goals, Projects, Actions


I don’t make new year’s resolutions. I make those kinds of commitments at any time of year, whenever it becomes clear they’re useful. But I do review my plans at the beginning of every year because plans can change. The point of a plan is to empower you not to lock you in. I review my mission, goals, projects, and actions lists. The first time was the hardest because I had to create them from scratch; now all I have to do is update them. Doing this helps me clarify where I want to go, make sure I’m on my path, taking the steps I need to make get there.

Whether you’re engaged in your creative life professionally or simply as a vehicle for personal growth (That’s an important distinction to make.), I recommend you make a plan for your success and that you define what success is for yourself.

Write down your …

Mission – why you’re doing it

Goals – what outcomes you want from what you made

Projects – the things you make that accomplish your goals

Actions – the small steps you take to get your projects done

Think of this as a matter of close or from what altitude you’re looking at your creative life.
What you write will get more detailed or longer as you get lower on this hierarchy.

At 10,000 feet, your mission can be stated in a single sentence.
At 3,000 feet, you might see many goals, each with a single sentence.
At 1,000 feet, you may see more than one project for a single goal.
On the runway, you’ll have a list of many actions you need to take to finish a single project.

Here are a few tips to make doing this important work easier.

Avoid the tendency to put too much on your final list. It’s good to get it all out in a first draft, but then pare it down to the essentials. What can’t you let go of? What’s the minimum you need to feel fulfilled? Making these decisions doesn’t limit you to doing more (including surprises as you make your creative journey), rather they provide clarity and direction to make sure you get your most important things done.

Think long term – 1 year, 2 year, 3 year, and end of life. When you know your ultimate goal it’s easier to reverse engineer your way to get to the successes you defined for yourself rather than just letting it happen and hoping you’ll be satisfied with what you get.

Break important projects down into smaller actionable items and place them in chronological order so you know what to do next and don’t run into delays in your progress.

Review your plans every year and also when major changes happen. I review my past year’s progress before I set a new year’s projects and action lists. Over time, I’ve found I’ve become more realistic about how much to take on and how long it will take to get things done. (But don’t be afraid to dream big! Blue sky thinking is important for connecting with your deepest values.) I always find a few things on my list that have been postponed (and I ask why) and a few get dropped altogether – because I decided to prioritize even better opportunities along the way. I also find that things get added to my past year’s list that weren’t on it at the beginning of that year. It’s important to be open to new opportunities along the way. For that reason, I recommend you review your lists periodically, especially when new major projects are considered. You’ll find this process gets easier every time you do it. The first time you do it is always the hardest; it requires a lot of soul-searching and some setting up; once you find your answers and you set up your system it’s much easier to do the next time. A plan is a work in progress. The best plans can be flexible.

Making a plan for your creative life makes it easier to decide when to say yes or no to new opportunities. Does the new thing help you achieve your longer-term goals? If yes, do it. If no, pass.

The plans you make are there to further your progress. But if you don’t make plans, life just happens and you may not make the time for the things that matter to you most. Make that time.

 

David Allen does an excellent job of describing this process in his books Getting Things Done and Making It All Work. I highly recommend them. They changed the way I live my life. And they’ve helped me be even more effective and fulfilled. But don’t wait to read his books to get started! Just get started!

PhotoQuote Pro – Stock / Assignment Photo Price Guide


Looking for information on how to price licensing and assignment work?
PhotoQuote Pro is the software I use.
“When someone wants to use one of your photos, you don’t need a number pulled out of a hat, you need help to get paid fairly for your work. You need fotoQuote, the industry standard photo pricing guide for stock and assignment photography.
FotoQuote is the only source of photo pricing information for photographers that includes powerful coaching help for every category. FotoQuote not only helps you come up with a fair price for your image license, but it also gives you the negotiation information you need to help you close the sale.
FotoQuote Pro 6 has just been released and it’s our biggest upgrade in the almost twenty years since the original version of our photo pricing calculator was written. We’ve added 86 new categories bringing the total to 304. The new version now includes both still and video stock footage categories, assignment pricing, thumbnails, international currency and much more.”
Learn more about PhotoQuote here.
Find more business resources here.
Learn more in my Digital Printing and Pro Portfolio workshops.

Publish Your Photography Book


Industry insiders Darius D. Himes and Mary Virginia Swanson demystify the process of producing and publishing a book of photographs. They survey the current landscape of photography book publishing and point out the many avenues to pursue and pitfalls to avoid. Himes and Swanson provide an overview of the publishing industry; an intimate look at the process of making a book; a close review of how to market a photo book; a section on case studies, built around discussions and interviews with published photographers; and a final section presenting a wealth of resources and information to aid in the understanding of the publishing world.
Their forthcoming title Publish Your Photography Book also includes a number of additional interviews and contributions from industry professionals, including artists, publishers, designers, packagers, editors, and other industry experts who openly share their publishing experiences.
Read more with my Bookmaking resources.
Learn more in my Pro Portfolio and digital printing workshops.
Read More

PDN Photo Annual 2011 – Deadline 1/25/11


Have your work seen by top photo industry judges.
Plus, the Photo Annual is sent to over 5,000 creatives.
Awards include …
– awards celebration May 2011 in NYC
– work featured in PDN June issue and website
– $15,000 Arnold & Augusta Newman Foundation Prize for Portraiture
– The Marty Forscher Fellowship Fund professional award and student award
– The Sony Emerging Photographer Award:  – camera, cash, article
Read More

Blend It Out




It’s a perfect shot! If only those unwanted moving objects (UMOs, i.e., a person or a crowd) in the scene would disappear. As long as the unwanted elements in your frame move, even just a little, you can make them disappear from your image by taking two or more shots and using Photoshop’s layering and blending capabilities.
You don’t have to retouch your image. Blending is different than retouching. The unwanted elements aren’t covered over with new information by hiding them with replacement information similar to the surround, either from the same source or another. With blends, the information behind the moving subject is revealed. How? It’s contained in the other shot(s).
You even can do this with exposures that are made with slightly different angles of rotation or framing, so you can use this technique with handheld exposures, not just those made with a tripod. Camera motion may make manual registration difficult, but Photoshop automatically will align and, in some cases, distort the separate exposures so that they register precisely …
Read more at Digital Photo Pro.
Learn more in my digital photography ebooks.
Learn more in my digital photography workshops.

Firefly Invisible Ink



Jon Cone’s Inkjet Mall recently introduced Firefly Invisible Ink, an inkiest designed for viewing prints under black light only.
“Firefly™ ink is a sophisticated encapsulated dye ink that is invisible in ordinary daylight. Turn off the lights and expose with a black light and the color is vibrant and life-like. We make Firefly inks in cyan, lt cyan, magenta, lt magenta, yellow and white. Because the inks are invisible and require UV light in order to be seen, images must be printed in a false color in order to appear normal under black light. We produced Firefly™ ink Image Converter software so you do not need to experiment. You can open an image, convert it and save it as jpg or png file to print in any software of your choosing. We also put in some expert tools for those who wish to experiment.”
Kudos for innovation.
All bets are off on longevity.
Learn more about Firefly Invisible Ink here.
Learn more with my online digital printing resources.
Learn more in my digital printing workshops.

My Top 12 Images Of 2010

Reflection XLII

Reflection XLVII

Reflection XXXIX

Reflection XXV

Reflection XXV

 
Reflection XLV

Reflection XLV

Reflection XXVI

Reflection XXVI

Correspondence - Nocturne - LI

Correspondence – Nocturne – LI

Correspondence XLV - Nocturne

Correspondence XLV – Nocturne

Correspondence XXXXVI - Nocturne

Correspondence XXXXVI – Nocturne

Correspondence XXXV - Nocturne

Correspondence XXXV – Nocturne

Correspondence - Nocturne LII

Correspondence – Nocturne LII

Condensation CX - Prelude

Condensation CX – Prelude

This is a selection of my top 12 images of all time. This selection doesn’t reflect sales, publication, or activities on the web. It simply reflects my opinion. Click on the titles to find out more about each image.
Geography
Antarctica, California, Iceland, South America, Utah.
Process
I practiced my typical 80% composite and 20% straight. Can you tell which is which? I hope it’s not obvious and that during this guessing game you begin to look more closely at looking.
Concepts
Light reveals and interacts with surfaces, which both reveal and conceal, sometimes doing both simultaneously. What the viewer sees depends as much on the context (physical location and moment in time) as his or her mental state (education, emotion, intent, awareness).
Magnificent Moment
The time I spent exploring the Great Salt Lake in Utah, several years before these images were completed, was a particularly intense time emotionally for me, some of I hope is reflected in these images and some of which I hope remains personal. The magnificent moment was inside.

View more of my Annual Top 12 Selections here.

View more images in my ebooks here.

View my full Works here.

View my Series videos here.

View new images in my newsletter Collectors Alert.