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What In The World Is Color Grading – Why & How To Do It

Color grading can unify images of different subjects shot at different times and locations.

Correction Versus Grading

Many people use color correction and color grading interchangeably, but their intents are quite different, while both are post-production processes and often use the same tools. Color correction is an objective technical process where colors are adjusted to appear natural; color grading is a subjective artistic process where colors are enhanced to evoke time, atmosphere, physical sensations (like temperature), and/or emotions. Correction convinces minds (avoiding personal biases); grading provokes feelings (celebrating personal preferences).

Correct Before You Grade

For some (scientists, journalists, product photographers, and art reproduction), color correction is the first and last step. For others (artists, many fashion and portrait photographers), color correction is a necessary prelude to color grading. Producing a neutral base gets images ready for artistic effects. Clipped highlights and shadows, color casts, and too much or too little saturation can all get in the way of successfully color-grading images. Correction also produces consistency between multiple shots. You won’t need to customize the color grading for different images if they are first color-corrected. This can save a lot of time and confusion if you’re processing many images.

Things To Look For During Color Correction

1    Preserve shadow and highlight detail.

2    Remove color casts. Make neutrals truly neutral.

3    Set saturation neither too low nor too high.

      Monitor memory colors: skin, blue sky, green grass, etc.

Read more on 4 Ways To Achieve Neutrality.

Tools To Create Color Grades With


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How To Boost AI Resolution In Photoshop

“Solve the lack of resolution in Generative AI in Photoshop. Colin Smith shows the new Enhance image feature as well as explains what it does. See how to get full resolution in any image in Photoshop Generative Fill.”

00:00 Generative AI in Photoshop is powerful but struggles with resolution.
00:23 Use the Crop tool and Generative Expand to extend images, but the resolution may drop.
00:52 Zooming in reveals the loss of resolution in generated areas.
01:16 New feature in Photoshop beta enhances image details, improving resolution but not perfectly.
01:43 Demonstration with a cat image shows resolution enhancement using Adobe Bridge and Camera Raw.
02:34 Super Resolution doubles the image size, similar to other upscaling software.
03:29 Generative fill generates up to 1024×1024 pixels, requiring enlargement for larger spaces.
04:22 Convert to a layer and use the rectangular marquee tool for better transparent expansion.
05:18 Generate in pieces to achieve full resolution, suitable for printing.
06:14 Create an action to automate the process for consistent high-resolution results.

Find out more from Colin Smith at Photoshop Cafe.

Learn more in my digital photography and digital printing workshops.

How To Choose & Execute A Photo Project In Essay Form

“Photography communicates best when it tells a story and is presented in an essay form. In this Zoom class, David Brommer will use examples of his personal work as well as of other select artists to illustrate excellence in photo essay form. Concept, execution, and presentation will be discussed, as well as “project think tanking” in the Q&A following the lesson. This class will benefit Photographers who want to deepen their commitment to the art or those looking for an inspirational shot in the arm!”

View more from David Brommer here.

Enjoy our conversation here.

Join Me For A Conversation With David Brommer – Tuesday, May 21 @ 6 pm EST

Join me Tuesday, May 21 @ 6pm EST on Zoom – Register here.

Photographer David Brommer (Suspect Photography) will guide what is sure to be an animated, wide-ranging, and thoughtful conversation about photography and creativity. David has a knack for asking the questions that most need to be asked.

I’ll share new work. We’ll talk about the importance of printing your images. After that, anything could happen.

It’s been ten years since our last extended conversation. Enjoy it here as a prelude of more to come.

How To Use Reference Images In Photoshop’s Generative Fill

Reference Image in new Photoshop Generative Fill.
Colin Smith shows you how to generate your own references in Photoshop using Firefly.

New Generate Image in Photoshop beta.
Colin Smith shows you how to generate images with new Generate Image using Firefly 3 in Photoshop.

Find out more from Colin Smith at Photoshop Cafe.

Learn more in my digital photography and digital printing workshops.

Enjoy The 2024 Camden Festival Of Poetry

Padriag O’Tuama
poet / peace activist


The 2024 Camden Festival Of Poetry Is Coming!

It’s free and open to the public.
Register here.

 

May 3 – Friday

Colby College Museum Of Art

3-4:30 pm      Workshop – Caponigro / Exploring The Colby College Museum Of Art With Poetry – Inquire.

May 8 – Wednesday

The Farnsworth Museum Of Art

11-12:30 pm    Workshop – Caponigro / Conversing with Unicorns: Ekphrastic Poetry – Register here.

May 11 – Saturday

The Center For Maine Contemporary Art

11-12:30 pm    Workshop – Caponigro / Tripping The Light Ekphrastic Poetry – Register here.

May 17 – Friday

Online

2-4 pm            Craft Talk – Padraig O’Tuama / You, You, You; The Address Of Poetry – Register here.

The First Congregational Church Of Camden
55 Elm Street, Camden, Maine

7-9 pm            Friday Open Mic Night

May 18 – Saturday

Downtown Camden, Maine

10-12 am        Morning Poems On Windows Walk

The First Congregational Church Of Camden
55 Elm Street, Camden, Maine

1-2:30 pm       Readings

………………Audrey Minotulu-Le
………………Sandy Weisman
………………Dave Morrison
………………Carol Bachofner
………………Arisa White
………………Jefferson Navicky

………………With music by Chris Ross and Mehuman Johnson

………………Meet Maine poets selling and signing their books.

3-4 pm            Workshops

………………John Paul Caponigro – The Art Of Poetry About Art
………………Kathleen Ellis – Thirteen Ways of Starting a Poem
………………Judy Kaber – The Poem on the Page: Understanding Line Breaks
………………Kimberly Ann Priest – Into Wildness: The Untamed Nature Poem
………………Maya Stein – Black Out Poetry
………………Arisa White – Activating Your Nouns and Verbs
.
4 pm               Keynote Padriag O’ Tuama
.
……………..Find out who will win the youth Poet Of Promise Award.

.

It’s free and open to the public!
Register here.

 

Ekphrastic Resources

Notes On Ekphrasis

Content Form Feeling

All The Words Of The Rainbow

Poems

Homer – The Iliad (Achilles Shield)

W H Auden – The Shield Of Achilles

John Keats – Ode To A Grecian Urn

Rainer Maria Rilke – Archaic Torso Of Apollo + The Story Behind The Poem

William Blake – The Tyger

Yusuf Komunyakaa – Facing It

Anne Sexton – The Starry Night

Literary Journals

The Ekphrastic Review

Rattle Ekphrastic Challenge

Responses To My Art

Rattle 

The Ekphrastic Review

My Ekphrastic Poetry

 

How To Enhance The Illusion Of Space With Atmospheric Perspective

As atmosphere builds up, contrast and detail are diminished, while colors grow cooler and less saturated.

Whites are an exception; they get darker and yellower.

Atmospheric perspective can be applied to neutral or black-and-white images using luminosity only.
In the foreground, increase contrast. In the background lighten blacks and darken whites.

Because compositionally, skies are quickly read as separate spaces, they can generally hold more saturation and still seem far away… but don’t overdo it if you want your photographs to be believable.

 

Used in Western art since the Renaissance, the principle of atmospheric perspective can be stated simply. Some colors rise forward, while others fall back. Lighter, warmer, saturated colors, with more contrast, appear closer, and darker, cooler, desaturated colors, with less contrast, appear farther away. You can use atmospheric perspective to control the illusion of three-dimensional depth in your two-dimensional images. When you do this, the scenes you present will become more believable, eye-catching, and compelling.

Adjust Color Selectively

The key to using atmospheric to enhance your images is to adjust color selectively.


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The 25 Most Beautiful Black-And-White Movies

Wings Of Desire, Beauty And The Beast, Embrace Of The Serpent, Dead Man, Seven Samurai, The Seventh Seal, The Passion Of Joan Of Arc …

We’ve all got our favorite black-and-white films. Any top 10 or 25 list will surely leave some of our favorites out and start a debate – that’s well worth having. Doing the hard work of picking our tops and supporting our choices helps us be clearer about what we most appreciate, inspiring ideas for how we might incorporate those qualities in our own images and be better able to celebrate it with others. Preparing for this task is a pure pleasure. Consider immersing yourself in the wonderful world of black and white with classic movies.

Here are 5 lists of the most beautiful black-and-white movies. Enjoy!

Taste Of Cinema – The 25 Most Visually Stunning Black-and-White Movies of All Time

List Challenges – The 25 Most Visually Stunning Black-And-White Movies of All Time

IMDB – Most Beautiful Black And White Films (Post 1965)

Listal – The Most Beautiful Black And White Films

New York Film Academy – The Best Black & White Films In Cinematography

What are your favorite black-and-white movies?
Leave your recommendations in the comments.

Find more Color Theory inspiration from the movies here.
Explore my Black & White resources here.
Learn more in my digital photography and digital printing workshops.

Quickly Remove Distracting Elements Using Generative Fill in Photoshop

Julianne Kost demonstrates how to use the Object Selection tool, Generative Fill, and Camera Raw as a smart filter to remove distracting bright areas in the image and put more emphasis on the subject.

For more check out Julieanne’s blog.
Learn more with my Composition resources.

Learn more in my digital photography and digital printing workshops.