“Erik Johansson creates realistic photos of impossible scenes — capturing ideas, not moments. In this witty how-to, the Photoshop wizard describes the principles he uses to make these fantastical scenarios come to life, while keeping them visually plausible. Photographer Erik Johannson creates impossible but photorealistic images that capture an idea, not a moment.”
Our strongest images combine immediate impact and staying power.
Sizzles & Fizzles
While color immediately grabs attention, other aspects of this image could be stronger and clearer, making its impact less durable than others.
Subtlety makes this image easily overlooked at first, but its appeal grows stronger over time and in context with other images.
It happens to me all the time. I’m excited by what I see on location and hopeful about the images I’m making. Afterward, the final results aren’t as exciting as I had hoped they would be. I rarely leave a location with confidence that I have truly excellent images. I can phone-in competent and even good most of the time, but getting to great is another matter entirely.
It’s important to know the difference between good and great. I measure my current successes against my past success – I’m always trying to raise the bar. If the images you’re making aren’t making the cut for you, I’d take that as a sign that you’re being more discriminating and based on that I would bet that means you’ve got many more images in your portfolio that are better. That’s excellent! Plus, the world doesn’t need more mediocre images, but it does need more discerning eyes.
While this syndrome of “sizzling and then fizzling” is common. The opposite dynamic is often at work too. You’ll make images that don’t catch your attention immediately but you find yourself doing a double or triple take and your appreciation of these images grows with each viewing. These “sleepers” are very interesting; they tend to be smarter and/or more deeply felt. Because they don’t grab your attention quickly, it’s easy to pass these types of images by. That’s one of the reasons it’s important to look back through your images again, often after some time has passed so that you can see them from a refreshed perspective.
Sometimes when you present the two together, one type of image makes the other type of image more interesting. The attention getter does just that – it gets attention. It can draw viewers in to seeing related work that might not be as eye-catching but has more substance and depth. Similarly, if it’s related to the attention getter, in some way beyond proximity, the strong silent type can reveal hidden depths within its flashier counterpart and even transfer some of its own depth. Both can “rub off” on each other in a beneficial way. Their relationship can be mutualistic.
When you find the rare few images that achieve both immediate high impact and extended durability you’ve got real “keepers”. These are the images that should be celebrated most. These images set the course for many others, both current and future works. All the other images, the ones that come close but fall short, which are collected with the great images, should in some way support, amplify, and expand that greatness. Keep these fires burning and fan the flames. Carry this vital energy forward. Keep this energy flowing with new moves. Find out how long you can stay in the zone or what it takes to return to it or something similar. See how far you can run with it and where it will lead you. Work of this quality often gets beyond you; which doesn’t mean you can’t sustain it, or return to it, but instead means you probably won’t fully understand it until long after you’ve done it – if ever. Work like this expands you. It raises your bar and calls you to new heights. Answer these calls.
“He experiments in a darkroom. She composes on a computer screen. Together, husband-and-wife artists Jerry Uelsmann and Maggie Taylor create haunting, layered dreamscapes that push the boundaries of photography’s possibilities. This documentary from lynda.com explores both the technical and emotional aspects of Jerry’s and Maggie’s work, from the composition to the criticism, with insight from other preeminent voices in photography.”
Find out more about this 1.5 hour documentary at Lynda.com.
Paul Strand – Under The Darkcloth Part 1
Paul Strand – Under The Darkcloth Part 2
Paul Strand – Under The Darkcloth Part 3
Paul Strand – Under The Darkcloth Part 4
Paul Strand – Under The Darkcloth Part 5
Paul Strand – Under The Darkcloth Part 6
This video offers remarkable insights into a the life and work of a remarkable photographer.
View more Videos On Photographers here.
Read conversations with photographers here.
Exposures – American Photography – Part 1
Exposures – American Photography – Part 2
Exposures – American Photography – Part 3
Exposures – American Photography – Part 4
Exposures – American Photography – Part 5
Exposures – American Photography – Part 6
Exposures – American Photography – Part 7
Exposures – American Photography – Part 8
Exposures – American Photography – Part 9
Exposures surveys American photography.
It’s a history lesson. It’s food for thought. It’s inspiring.
View more photography videos here.
This 1957 documentary on Ansel Adams offers many insights into the man and his art.
The early production date of this piece adds an extra dimension into this window back in time.
View more videos on photographers here.
207 a feature of WCSH Channel 6 (Portland Maine’s NBC affiliate) recently visited our family. We shared thoughts and stories about living together creatively. (I really appreciate the very personal touch they took when they made this video.)
“The history of photography is Beaumont Newhall! Throughout most of the 20th century he has seen a central figure in the movement to have photography recognized as an art form. It might also be said that he created the “history of photography” as a distinct and respected field of study. As a founder and father of the history of photography, photographer, curator, art historian, writer, scholar, teacher and administrator it seems as if there has been more than one Beaumont Newhall. Beginning in 1938 at the Museum of Modern Art, he created the first retrospective exhibition of the 100-year-old art of photography. This documentary highlights some of Beaumont’s experiences of being a lifelong friend, mentor and confident of many photographers now in the annals of history.”
Beaumont Newhall’s The History of Photography: From 1839 to the Present is the first classic history of art photography.
Creative. Smart. Hillarious.
What will you do on your next flight?
“Improvising with materials close at hand, “Seat Assignment” consists of photographs, video, and digital images all made while in flight using only a camera phone. The project began spontaneously on a flight in March 2010 and is ongoing. At present, over 2500 photographs and video, made on more than 75 different flights to date, constitute the raw material of the project. Visit www.ninakatchadourian.com for more information.”