6 Ways To Get Better Shadow & Highlight Detail In Your Photographs

You want your photographs to glow - right? So what’s better than one kind of glow? How about three?

You can get there by not succumbing to the classic temptations to clip shadows and/or highlights to produce a more obviously dramatic but a less lively, nuanced, and expressive tonal scale. Instead, hold the full dynamic range with a real black and white and also create gorgeous separation in the values nearest to them.

So many times we give the lion’s share of the contrast to the midtones. Midtone contrast is really important. But that doesn’t mean we have to sacrifice the light in highlights by making them too hot to look at comfortably or in shadows making them so dark they turn to murky mud. You can hold separation in these extreme ends of the tonal scale and produce beautiful qualities of light that complement not just contrast. Here’s how.


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One Filter To Quickly Remove Most Halos In Photoshop

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“Learn how to easily fix and remove halos easily and fast using a hidden Photoshop slider.”
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The One Simple Trick I Use To Improve All Of My Images With Photoshop

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Curves offers more precise tonal control than any other tool. So when I need precision dodging and burning (about 80% of the time) I use Curves, which means I use Photoshop (PS).

I look forward to the day we can make local adjustments with Curves in Lightroom and Camera Raw. But currently, Lightroom (LR) and Camera Raw (ACR) don’t have this feature, yet. But can’t you do something similar in Lightroom (LR) or Adobe Camera Raw’s (ACR) using the six Basics sliders (Exposure, Contrast, Highlights, Shadows, Whites, Blacks), in combination with the Adjustment Brush, Graduated Filter, or Radial Filter, even in combination with Color, Luminance, or Depth Range Masks? If close is good enough, yes. If you want to make your images really shine, no.

 

Is it hard to dodge and burn with Curves in Photoshop? No. It’s easy.


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The Art Of Selections & Masking

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Mastering selections and masking will help you take your images to the next level.

Local Adjustments In Lightroom and Camera Raw | Coming Soon

When To Use Lightroom’s Local Adjustment Tools | Coming Soon

Why Photoshop’s Local Adjustment Capabilities Are Superior To Lightroom’s | Coming Soon

Photoshop’s Marquee Tools 
Quick rectangular and elliptical selections.

Photoshop’s Lasso Selection Tools 
Go to drawing tools for irregular selections.

Photoshop’s Magic Wand & Quick Selection Tools 
Let Photoshop do the work for you.

Two Keys To Combine All Of Photoshop’s Tools 
Easily add or subtract from selections.

Viewing Masks 
You can see a mask in a number of ways.

Mask Key Commands
Key commands make masking and selections faster and easier.

Painting The Simplest & Most Useful Masks In Photoshop 

Photoshop’s Quick Mask Combines All Selection And Brush Tools

Eight Useful Tips For Brushing Masks In Photoshop 

How To Make Masking Easier With Photoshop 

Gradient Masks

Fine Tuning Gradients 
Fine tune your gradients with masking techniques.

Masking Hue 

Masking Saturation 

Masking Luminosity 

Contour Masks 

Edge Masks

Combining Masks | Coming Soon

Frame (11/10) | .99
Make your images stronger by locally adjusting the frame.

Points (11/10) | .99
Make your images stronger by locally adjusting points.

Lines (11/10) | .99
Make your images stronger by locally adjusting lines.

Planes (11/10) | .99
Make your images stronger by locally adjusting planes.

 

Video – Photoshop Masking Key Commands

Video – Photoshop Making 2 Masks For 1 Layer

Video – Photoshop Feathering Selections  & Masks

Video – Photoshop Combining Gradient Masks 

 

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Photoshop Does The Work For You With Magic Wand & Quick Selection Tools

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 Get sophisticated selections quickly.

Photoshop offers two great selection tools that use pattern recognition to make the process easier and faster – the Magic Wand tool and the Quick Selection tool. They get complex jobs done quickly and the results they generate can be quite sophisticated. But which one do you choose?


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Photoshop’s Need To Know Lasso Selection Tools

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The Lasso tool is best for defining highly irregular selections manually.

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The Polygonal Lasso tool is best for defining rectilinear shapes.

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The Magnetic Lasso tool uses pattern recognition to define existing contours.

Photoshop’s Lassos (Lasso, Polygonal Lasso, and Magnetic Lasso) are go to tools for drawing irregular selections.

Which Lasso tool you choose depends on the job you need to get done.

The Lasso tool is best for defining highly irregular selections manually.

Just click, hold and drag to define a selection. Draw selections in closed loops from beginning to end; if you let go of a selection halfway through a shape you’re drawing a straight line will automatically be drawn from where you let go to where you started; on rare occasions, this can be useful.

The Polygonal Lasso tool is best for defining rectilinear shapes.

The Polygonal Lasso tool differs in that it only draws straight lines. Click, don’t hold, drag to the point you’d like to draw a straight line to and click again, then repeat until you define a closed shape. While drawing a selection, you can alternate between the Lasso and Polygonal Lasso tools by holding the Option key.

The Magnetic Lasso tool is best for taking advantage of pattern recognition to define existing contours.

The Magnetic Lasso tool is different; it uses edge detection to draw. You simply guide it roughly along a contour you’d like to define and if the contour has enough contrast the tool will find it. (Using an adjustment layer, you can temporarily boost the image’s contrast, while making a selection to help the Magnetic Lasso tool find edges more easily … and then delete the adjustment layer after the selection is complete.) If you draw too quickly with the Magnetic Lasso tool it becomes less accurate. If you find you’d like to refine the line it defines you can press the Delete key to eliminate the anchor points it makes along the way, one at a time, in the order they were made.

Remember, if you plan to feather a selection substantially you don’t need to be precise; close enough will do, so don’t waste your time making perfect selections for very general applications.

Read more about Selections & Masks.
Learn more in my digital photography and digital printing workshops.

Two Powerful Keys That Will Help You Combine Photoshop’s Selection Tools

A simple Rectangular Marquee selection.
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A second selection is added using the Shift key.

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A second selection is subtracted using the Option key.

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The intersection of two selections is created using both Option and Shift keys.

There are so many times when you make a selection in Photoshop and it’s not quite right. But if the selection just needs a little more here and/or a little less there, there’s an easy fix.

You can press the Shift key to add or the Option key to subtract a new selection to any existing selection, no matter how the existing selection was made or what tool you’re making the new selection with (Lasso, Marquee, Magic Wand, Quick Selection). Hold both the Shift and Option keys at the same time and you’ll get the intersection of the new and old selections. You can do this as many times as you like.

Sure, you can use the Add to selection, Subtract from selection, or Intersect with selection options in the top toolbar, but these key commands are easier.

Read more about Selections & Masks.
Learn more in my digital photography and digital printing workshops.

Photoshop’s Marquee Tools Make Surprisingly Useful Geometric Selections

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Photoshop offers two Marquee tools (Rectangular or Elliptical) for making simple geometric selections. They’re easy to use.

Click hold and drag to define a selection.

Hold the Option key to draw from the center of the shape.

Hold the Shift key to constrain the shape to a perfect square or circle.

You might question how often you’ll use simple geometric selections, particularly in complex photographs, but you’ll be surprised. They’re excellent for quickly selecting large areas of a canvas, which can be further refined with any of the other selection tools. They’re extremely useful if you feather them heavily; targeting the center of an area then fading off gradually to create vignetting effects, either for the entire image frame or a small portion within it.

Read more about Selections & Masks.
Learn more in my digital photography and digital printing workshops.