6 Ways To Get Better Shadow & Highlight Detail In Your Photographs

You want your photographs to glow - right? So what’s better than one kind of glow? How about three?

You can get there by not succumbing to the classic temptations to clip shadows and/or highlights to produce a more obviously dramatic but a less lively, nuanced, and expressive tonal scale. Instead, hold the full dynamic range with a real black and white and also create gorgeous separation in the values nearest to them.

So many times we give the lion’s share of the contrast to the midtones. Midtone contrast is really important. But that doesn’t mean we have to sacrifice the light in highlights by making them too hot to look at comfortably or in shadows making them so dark they turn to murky mud. You can hold separation in these extreme ends of the tonal scale and produce beautiful qualities of light that complement not just contrast. Here’s how.

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Use HDR Techniques To Get The Best Image Detail

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Use high dynamic range techniques to capture detail in highlights and shadows even in scenes with extreme contrast.


1. Why Everybody Needs HDR … Sometimes | Coming Soon

2.  What In The World Is HDR ?

3.  What Is Exposure Value ?

4.  Using Histograms – ETTR

5.  Why Your Camera’s Auto HDR Feature Is Inferior 

6.  How To Set Your Camera To Auto Bracketing 

7.  How Many Exposures Do You Need For HDR Merges ? 

8.  Making HDR Merges Is A Four Step Process

9.  5 Photoshop Tools To Make The Most of Shadows & Highlights Without HDR

10.  3 Ways HDR Software Can Benefit Single Exposures | Coming Soon

11.  Using HDR Software To Sharpen Photographs

12.  HDR With One Exposure

13.  HDR With Two Exposures

14.  HDR with Lightroom | Coming Soon

15.  HDR With Photoshop | Coming Soon

16.  HDR With Photomatix | Coming Soon

17.  HDR With NIK’s HDR Efex Pro | Coming Soon

18.  HDR With Aurora HDR | Coming Soon

19.  HDR Panoramas | Coming Soon

20.  Refine HDR With Photoshop Layer Blending | Coming Soon

21.  7 HDR Artifacts & How To Avoid Or Cure Them 

22. 8 HDR Myths Debunked 

23. Quick Answers To The 5 Most Asked HDR Questions 


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Enhancing Local Contrast In Black & White Images





Color to black and white conversions are radical transformations of an image. They establish the tonal foundations of a neutral image, creating tonal relationships by determining which areas of an image become light and which are dark. While this process can generate some localized effects (all blues become darker or lighter), this is quite different than selectively lightening and darkening an image to accentuate existing tonal relationships (only select blue areas become darker or lighter). Selectively enhance a tonal structure after conversion, rather than before. Selective enhancement may yield dramatic results.
Here are two ways.

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Developing Your Sensitivity to Gradation

The engine that drives color dynamics, contrast, is a measure of difference between colors. Contrast can be measured by both the amount and kind of difference between colors.
You can discuss contrast in terms of amount. There can be a lot or a little. You can move between two very different colors (i.e. from black to white) or two similar colors (i.e. from dark gray to light gray).
You can discuss contrast in terms of how transitions between colors are made. There can be many (fine) or few (coarse) steps in between colors. (Having many steps in between contrasting values is an essential criterion for continuous tone imagery.)
You can discuss contrast in terms of how transitions progress. The steps in between can be made in a regular (even) or irregular (uneven) manner.
If contrast brings variety and energy, ask yourself what kind of energy you seek. Just as each color often elicits a set of associations, so too does each type of contrast.
High contrast images are often thought of as dramatic, while low contrast images are often thought of as quiet. Images where transitions are made with many steps are considered smooth, while those with only a few are considered abrupt. When gradations transition evenly they seem calm, graceful, and can be navigated quickly, while when they transition unevenly they seem dynamic, syncopated, and take more time to navigate. There are many subtle distinctions that can be made within these broad generalizations. This is an area that rewards continued exploration.
Sharpen your eye, by developing the ability to identify both the amount and quality of contrast between colors. You’ll find this to be an extremely valuable skill. You’ll increase your sensitivity to color, expand the range of color choices available to you, and add strategies for meeting color challenges. Color will become more intense and pleasurable for you.
Luminosity intervals of one hue. Hues achieve maximum saturation at specific luminosities.
Saturation intervals of one hue – luminosity and hue stable. Achievable only for mid level luminosities.
Hue intervals – maximum saturation, luminosity shifts. Hues achieve maximum saturation at different luminosities.
Hue intervals – luminosity stable, saturation shifts.
Hue intervals between two complementary hues passing through the color wheel.
Hue intervals between two complementary hues passing around the color wheel.
Try These Exercises.
1            Create a set of equal luminosity intervals of one hue.
Optionally, repeat for all hues – ROYGBIV.
2            As above, create equal intervals of hue.
Optionally, repeat for all hues – ROYGBIV.
Optionally, repeat for all hues at different luminosity levels.
3            As above, create equal intervals of saturation.
Optionally, repeat for all hues – ROYGBIV.
Optionally, repeat for all hues at different luminosity levels.
4            Match the intervals (luminosity, hue, and saturation) between two color progressions.
Download the Exercise File here.
Because it’s difficult to separate other forms of image content from color, color exercises are best performed abstractly. While it’s useful to check numerical values for colors and color relationships, because these exercises are perceptual (often incorporating physiological and psychological responses that are not physically measurable), determine your answers visually. Train and trust your eye.

Learn more in my workshop The Power of Color.
Learn more with my DVDs on Color here.
Learn more with my free color resources here.