All The Words Of The Rainbow

ColorWheel

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The language used to describe color has a long storied history; sometimes tied to its method of manufacture and sometimes tied to mental or emotional associations. What language lacks in precision it makes up for in expression. It’s great for poetry and marketing.

Contrast this with the numerical language of HSL (i.e. 13/48/76), which is better for precise identifying and communicating color.

Read more on HSL here.

 

Enjoy exploring this collection if you’re trying to find out what color a word refers to or if you’re looking for the right word to describe a color.

Red

apple, beet, blooming, brick, blood, blush, burgundy, burning, carmine, cerise, cinnabar, claret, cherry, cochineal, coral, crimson, damask, fire engine, fire hydrant, flame, florid, fox, garnet, glowing, gules, lipstick, madder, maroon, pink, poppy, rose, rouge, rubicund, ruby, rufous, rust, russet, sanguine, scarlet, strawberry, tomato, vermillion, wine

Pink

amaranth, blush, bubblegum, carnation, champagne, coral, crepe, flamingo, flesh, fuscia, hot, lemonade, lipstick, mary kay, neon, peach, powder, puce, punch, rose, salmon, taffy, tickle me, watermelon

Orange

apricot, basketball, burnt, cantaloupe, carrot, chanterelle, chestnut, citrus, copper, coral, creamsicle, flaming, fiery, ginger, gold, marmalade, merigold, minium, monarch, neopolitan, orangatan, papaya, peach, pumpkin, salmon, salamander, sandstone, sherbert, soda, starfish, straw, sunflower, sunrise, squash, tangerine, tiger, yam

Yellow

amber, banana, blonde, ash blonde, bottle blonde, strawberry blonde, bumblebee, butter, buttermilk, butterscotch, canary, corn, cream, daffodil, dijon, egg nog, flaxen, gamboge, golden, goldenrod, honey, imperial, indian, lemon, macaroon, medallion, mustard, naples, neon, ocher, orpiment, parmesan, pineapple, pollen, sandy, saffron, straw, topaz, tow-colored, tuscan, wheaten

Green

absinthe, acid, apple, army, artichoke, avocado, aquamarine, basil, bosky, bottle, celadon, chartreuse, clover, copper, crocodile, fern, grass, emerald, evergreen, fir, forest, grass, jade, jungle, juniper, kale, kelly, leaf, lime, lincoln, lush, malachite, mint, moss, neon, olive, parakeet, pea, pear, pickle, pine, sage, sap, sea, seafoam, seaweed, shamrock, spinach, spring, terre verte, verdant, verdigris, vert, viridian

Blue

admiral, agean, arctic, antarctic, aquamarine, azure, baby, berry, beryl, bice, bright, beryl, cambridge, cerulean, cobalt, copenhagen, cornflower, cupreous, cyan, cyanotype, deep, denim, egyptian, electrix, erubescent, frost, ice, incarnadine, indigo, kyanite, lapis lazuli, midnight, navy, opal, oxford, peacock, persian, prussian, robin’s egg, royal, sapphire, saxe, sea, slate, sky, spruce, steel, teal, titian, turkish, turquoise, ultramarine, vivid

Indigo

azure, blueberry, deep, glastum, indigotin, midnight, navy, prussian, ultramarine, woad, zaffre

Violet

amaranthine, amethyst, archil, berry, boysenberry, eggplant, grape, heather, heliotrope, iris, jam, lavender, lilac, mauve, magenta, mulberry, orchid, periwinkle, perse, plum, pomegranite, purple, raisin, royal, sangria, violet, violaceous, wine

Brown

allspice, auburn, bay, bran, beige, biscuit, bister, bottle, brick, brindle, bronze, brunette, buff, burnt sienna, burnt umber, cafe au lait, camel, caramel, carob, cayenne, cedar, chestnut, chocolate, cider, cinnamon, cocoa, coffee, copper, drab, dun, dust, ecru, espresso, fallow, fawn, ginger, gingerbread, granola, greige, hazel, henna, hickory, kasha, khaki, leather, liver, madiera, mahogany, mocha, mousy, mud, mushroom, nut, nutmeg, oak, oatmeal, ochre, peanut, pecan, penny, puce, russet, rust, saddle, sallow, sand, sepia, sorrel, spice, tan, taupe, tawny, terra-cotta, toast, tortilla, umber, wheaten, whey, wood

White

alabaster, albino, allysum, antique, ash, bone, bleach, bright, brilliant, chalk, chantilly, chiffon, cloud, coconut, cotton, daisy, dove, eggshell, gesso, ghost, putty, hoary, isabelline, ivory, lead, lace, lily, linen, lucent, milk, mother of pearl, parchment, pearl, porcelain, powder, pure, rice, salt, snow, swan, star, titanium, vanilla, whisper, winter

Gray

aluminum, argentine, ash, cinereal, charcoal, cloud, coin, cool, cove, clam, dolphin, dove, dusky, elephant, fog, fossil, frost, graphite, grizzled, gunmetal, gunpowder, harbor, hippopotamus, hoary, lead, iron, metal, mouse, neutral, nickle, oyster, payne’s, pearl, pebble, peppery, pewter, platinum, pigeon, powder, rhino, rice, sere, silver, tin, sidewalk, slate, smoke, squirrel, steel, stone, thunder, warm

Black

atramentous, calciginous, charcoal, coal, crepuscular, crow, dusky, ebony, flint, grease, ink, kohl, lamp, lava, jet, leather, mars, melanoid, metal, midnight, obsidian, oil, onyx, piceous, pitch, raven, sable, slate, soot, spider, stygian, tartarean, tenebrous

Read more in my Color Theory resources.
Learn more in my digital photography and digital printing workshops.

How To Find The Infinite Possibilities One Image Contains

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Any image can support an unimaginable number of color variations. So how do you find them? Systematically make many variations. Will it take a great deal of time? It will take a little time but not a lot (maybe five or ten minutes) – and it will take less time and you’ll more thoroughly explore the possibilities if you do this systematically. You’ll find this exploration will be time very well spent. Illuminating more possibilities than you imagined will help you find more creative and personally fulfilling solutions for your images. You’ll deepen your understanding of and personal relationship with color thus your images and by extension yourself. Those who view your works will feel the difference. I can tell you from many years of personal experience that it has made all the difference in the world to me. It will do the same for you.

Before you begin …

Start With Your Strongest Image(s)

When you’re processing a number of related images it’s likely that you’ll find the solutions you choose for the strongest image in the set will apply to the others, with minor modifications. It’s rare to have images in a series with widely divergent color palettes.

Plan To Make Many Copies

Don’t try and remember all of these possibilities; there will be too many to remember.

Instead make copies that you can make side-by-side comparisons with. (In Lightroom make virtual copies. Alternately, in Photoshop duplicate files.) It will help if you organize these copies into Collections in Lightroom or organize them (possibly with folders) in Bridge/Photoshop.

Find The Big Picture, Sweat The Details Later

Ditch your perfectionist tendencies – for now. Worry more about the moves you’re making in color that the tools you’re using to make them with. Don’t get lost in the details, instead focus on the big picture. Avoid getting distracted by one exciting possibility.  Instead of rushing to finished results and committing to the most obvious solution too quickly, spend a few minutes exploring more possibilities hoping to find better solutions. More often than not, you will.

So what’s the best way to do this?

Proceed In This Order – Saturation, Luminosity, Hue

With only three elements of color, you wouldn’t think there could be so many possibilities, but the very things that generate them also make finding them manageable. You’ll quickly find the major moves that can be made if you make changes in these three elements in this order – saturation, luminosity, and hue.

Read More

The Best Strategy For Creating Successful Color Palettes

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The vast majority of resources you’ll find for creating successful color palettes, whether in print or online, will catalog a great number of compelling color combinations with some rhyme but little reason. When you look at them, not understanding the logic behind their choices, it’s tempting to think that anything goes. (And it might in certain contexts and for the specific reasons. But which ones?) Sometimes they drift into color psychology but quickly become so subjective they lose all sense of objectivity or universality. The best of them identify visual dynamics that you can use to exert some influence over the direction takes in and gives to your images.

What I’m offering you here is different. This is a strategy. Not a rule but a tool.

Use high contrast in one element of color, medium contrast in a second, and low contrast in the third.

It could be simplified to, make one element of color dominant by consistently putting more contrast in it than the other two.

With only three elements of color, this rubric offers you three main palettes that you can draw endless permutations from plus two notable exceptions.

When you reflect on your choice of palette, you’ll gain insights into the themes contained of your images.

Before I detail these five palettes …

It helps to understand some of the dynamics of color. Good things come in threes; there are three types of color, three elements of color, and three kinds of contrast.

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Antarctica_2009-LXV

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3 Types Of Color

There are three types of color – ideal, ambient, and synthetic.


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How To Increase Hue Contrast In Your Images With Lab Color Mode

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Instead of RGB, you can use Lab color mode to increase hue contrast in your images in powerful ways that no other color space offers.

How do you do it?

In Lab color mode use Curves to accentuate contrast by creating s or reverse s curves for the a and b but not the L channels without moving the midpoint.

It’s that simple. (Yes, I promise I’ll expand on this.)

However, when you use this technique there are many details that it pays to be aware of.

When To Use It

While this technique can be used on any image, it’s particularly useful when you are processing files that are predominantly one color – forest greens, oceanic blues, sandstone reds, etc. The resulting hue contrast gives these images more life by making subtle variations in hue more pronounced and more three dimensional by accentuating the differences in hue between highlights and shadows.

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Original
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Lab a and b channels adjusted

Comparing It To Similar Techniques

This technique is similar to split-toning or cross-toning images, introducing one color into the highlights and another into the shadows, except that the hues are the captured colors accentuated rather than colors that are arbitrarily added. (For this reason this technique won’t work with black-and-white images.)

This technique is similar to increasing saturation or vibrance, which also makes different hues more pronounced but sometimes intensifies them to the point of making them appear unnatural. By comparison the modest increase in saturation boosting hue contrast in Lab produces is surprisingly naturalistic – and you may choose to keep it or not.

To the untrained eye the differences between this technique and others may seem subtle but once you train your eye you’ll appreciate the color richness it offers; they can approximate but never equal it. It’s like comparing the sound qualities of low and high fidelity audio recordings. Lab offers hi-fi color.

What The Heck Is Lab Anyway ?


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Mastering Color Management

Download your free copy now!

 

Use color management to make better files and insure others see them in their best light.

 

How To Do It

 

7 Simple Steps to Good Color Management
Take these simple steps to get consistent high-quality color.

Step 1 – Use ICC Profiles 
Assign ICC profiles to make color consistent and predictable.

Step 2 – Profile Your Monitor
Calibrate your monitor with hardware.

Step 3 – Set Adobe Color Settings
Set good Photoshop Color Settings in seconds.

Step 4 – Profile Your Printer
Better printer profiles help make better prints.

Step 5 – Softproof Before You Proof
Preview how your print will look before printing it.

Step 6 – Check The Correct Boxes In Your Printer Driver
Set good color management policies in your printer driver.

Step 7 – Control Your Viewing Environment
Use good quality light in neutral environments to evaluate your images.

 

Things To Watch For

 

16-Bit
Thousands of shades of gray reduce posterization.

Choose A Wide-Gamut Editing Space
Choose a wide-gamut editing space to make the best prints possible.

Editing Spaces Compared
From small to large, standard RGB editing spaces including sRGB, Adobe RGB (1998), and ProPhoto.

Rendering Intents Compared 
Perceptual, Relative Colorimetric, Absolute Colorimetric, Saturation.

What to Do with Color Management Dialogs 
Know what to do with the color management dialog boxes you encounter.

The Difference Between Converting Versus Assigning With Color Profiles 
Understand the difference between assigning and converting to a profile.

Where to Put ICC Profiles 
ICC profiles need to be filed in the correct location on your computer.

 

Tools

 

When And Why To Print Test Files 
Find out more about what to test.

Make Camera Profiles With X-Rite’s Color Checker Passport
X-Rites’ Color Checker Passport can be used to quickly deliver more accurate color in a variety of ways.

Managing Camera Profiles 
If you make camera profiles customized for your camera, sooner or later you’re going to want to rename or delete a few.

Graph Profiles With Chromix Colorthink
Colorthink graphs ICC profiles for visual comparison and contrast.

Use Full Spectrum Or HIgh CRI Viewing Light
Choose full-spectrum lighting with appropriate brightness and temperature.

 

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Explore The Power Of Color Psychology

The Art Of Color Adjustment

Download your free copy now!

 

The power of color offers you extraordinary creative capabilities and you’ve never had more control than today.

 

Strategies

 

Infinite Variations
The possibilities are almost limitless. Explore your options before you commit to a solution.

Use Presets To Find Variations Quickly
Speed your workflow and visualize many possibilities for your images.

Why Achieving Neutrality In Your Images Is So Important
Make your color more believable, saturated, and three-dimensional.

4 Ways To Achieve Neutrality
How you achieve neutrality sets the foundation for future color moves.

How To Key Your Images Expressively – Go High, Medium, Or Low
Set the mood for your images with tonality.

The Key To Lively Images –  Midtone Contrast – And How To Get It

6 Ways To Get Better Shadow & Highlight Detail
Increase separation in the darkest and lightest values.

5 Tools You Can Use To Make The Most Of Shadows & Highlights Without HDR
You can extend the dynamic range of your images without bracketing exposures.

How To Avoid Making Viewers Squint At Your Images To See Their Highlights
Preserving detail and setting brightness are important first steps.

How To Render Lively Shadows

3 Qualities Of Light You Can Use To Make Your Images Glow

How To Use Simultaneous Contrast To Make Colors Even More Lively

9 Ways To Tell If Your Images Are Overcooked

How To Make Day Look Like Night In Your Images

How To Enhance The Illusion Of Space With Atmospheric Perspective

Deciding Where To Make Your Images Glow And How To Do It  | Coming Soon

 

Raw

 

What In The World Are Raw Files?
Dive in to the strange and wonderful world of Raw files.

Why You Should Shoot Raw
Get highest quality images from your digital camera.

Why You Should Profile Your Camera
Improve the clarity and saturation of the color your digital camera creates.

How To Get More Than The Maximum A Slider Allows
Get 150%,  200%, 500% or more out of sliders.

5 Reasons You Still Need Photoshop
1  Fine Retouching, 2  Precise Masking, 3   Advanced Color Adjustment, 4  Creative Sharpening, 5  Plug-Ins

 

Tools

 

How To Evaluate Color Adjustment Tools
Identify the go-to, exotic, and redundant tools.

Blend Modes
Make all of Photoshop’s color adjustment tools more precise.

Curves
It’s the most precise tool for adjusting luminosity and hue.

High Pass Contrast
Make your photographs appear more three-dimensional.

High Pass Contrast Or Sharpening – How To Choose An Optimal Setting
Choose between planar contrast or edge sharpening.

Curves, Clarity, Dehaze, High Pass, Texture and Sharpening Compared
How do you choose between so many ways to control luminosity contrast?

Curing Dehaze Color Artifacts
Try this quick fix to eliminate Dehaze color artifacts.

Hue/Saturation & Vibrance & HSL Compared
They’re the most powerful tools for adjusting saturation.

White Balance, Photo Filter, Color Overlays, and Curves Compared
How do you choose between so many ways to control color temperature?

Selective Color
It makes very precise changes like no other tool.

Use LAB Color Mode To Increase Hue Contrast
Use LAB mode for greater hue separation.

Blending Channels
Use the information in one channel to improve another.

Adobe Camera Raw Filter
Using ACR on layers lets you use Photoshop’s precise masking with it.

Color Lookup
Color grading can give many images a similar look or individuals a unique one.

Color Grading
Make the color in your images more expressive with this easy split toning solution.

Gradient Maps
Add new color into specific ranges of luminosity.

Match Color
Transfer color from one image to another.

Synthetic Profiles
Make big changes non-destructively by redefining color values.

Before You Mask Use The Tool’s Selectivity | Coming Soon
The results are faster and sometimes better.

What You Can Do With Raw That You Can’t With Photoshop Unless … | Coming Soon
Adjust Raw files and individual layers with the most robust color adjustment feature.

 

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